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Akua ink drying time

akua ink drying time Shopping Cart. The first spray/dry doesn’t look like it affects the plate (normally), but it helps the ink loosen up for the second spray. How can I correct this? The following may be related to this issue: The ink needs to be more thoroughly stirred in the jar before As a result, if there are any layers of ink that have not been pressed into the fibers of the paper, they will not dry. Akua Intaglio Inks are soy-based, water-soluble printmaking inks that can be applied to fabrics. They dry on contact with the paper through absorption into paper fibres, not on the plate which means they can be manipulated for a long time. And having a high quality, slow drying ink like Akua Intaglio makes it even easier. Pigment Inks are slower-drying because the ink actually sits on top of the paper. Prints well on dry or dampened papers. Comes in an 8 fluid ounce (240 ml) jar. Explore the site today! By submitting this form, you are granting: Delta Art and Drafting Supply, 11116-120 Street, Edmonton, Alberta, T5G 2X8, Canada, http://www. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink. Plus, Akua ink will never dry and harden on it so the same piece can be reused over and over. It stays wet on the plate for an extended period of time, allowing many hours for the artist to create an image. AP non-toxic. They contain no driers, offering a long working time for monotype or wiping the plate. Akua Intaglio Ink Susan Rostow created Akua Intaglio professional printmaking inks to deliver brilliant colors, intense blacks and unmatched working properties. When cleaning up, use a dry rag on all surfaces. Solar plates are cleaned with vegetable oil. Excellent Results. Akua Liquid Pigment is non-toxic, and is a labeled, approved product conforming to ASTMD-4236. Akua Kolor Inks: Available in a range of densely pigmented colours. Made in the USA. I decided to have another go at using the Akua ink. Never Skins in the Jar Ink will never skin or harden in the jar or on the ink slab, so no ink is ever wasted. It also retards Akua Kolor from drying on the monotype plate and therefore extends the working time. But drying times are longer than water-based ink. Solar plates are cleaned with vegetable oil. Prints well on dry or dampened papers. It features a smooth, creamy consistency and only dries through absorption - it will not dry on the printmaking plate and is ideal for Intaglio/Etching, Monotype, Relief and Collagraph printmaking. Adding wheat paste or methylcellulose to Akua Liquid Pigment will make the ink dry more quickly. Akua Intaglio does not contain toxic driers. Easy clean up with soap and water. The ink will never skin or harden in the jar or on any non-absorbant surface, so no ink is ever wasted due to unwanted drying and working time is extended. com 495 Prospect Ave, West Orange NJ 07052 Ink options: Akua etching ink, block printing ink, oil paint, acrylic paint. Option To Print on Damp or Dry Paper Choose to print on dry or damp paper according to what may be best suited for your technique. Because Akua stays wet on the plate, there's no need to soak paper before printing. For my second demo day, I had another flower image. As a result, plates will print good contrast, fine detail, rich saturated colors and smooth solids without streaking. One important advantage for me is that this ink cleans up with soap and water. Akua Intaglio Inks. After plate has been etched remove ground by soaking in a bath of VCA. Akua Intaglio 8 ounce 8-color set includes the following colors: transparent base, carbon black, crimson red, hansa yellow, phthalo blue, phthalo green, titanium white, and van dyke brown. The consistency should be similar to Akua inks. Because petroleum will react with the wax, she used Akua Intaglio inks and a wiping method similar to intaglio. A few drops mixed into Akua Kolor helps transfer ink onto dry paper. As they contain no dryers the ink drying time will be similiar to oil based inks. S. When cleaning up use a dry rag on all surfaces. They can be used for drypoint, etching, relief printmaking, monotype and collograph printmaking. Unmodified ink can be returned to its original container. Or you can try using some Bristol or Vellum if you’re short on time. 41, Akua Liquid Ink Lemon Yellow 4oz – $32. Its rich working consistency is excellent for all monotype techniques. 90: ADD: Akua Intaglio Ink 8 Oz Cadmium Red Medium Hue X36101: $22. As they contain no dryers, the ink drying time will be similar to oil based inks. Never Skins or Hardens in the Jar - Ink will never skin or harden in the jar or on the ink slab, so no ink is ever wasted. The ink on my print is too light when it dries. 24: ADD: Akua Intaglio Ink 8 Oz Bone Black X36100: $16. Spraying the plate with water does not usually help. They Akua is a soy based printmaking ink made with the high quality lightfast pigments. Inks cannot be reactivated by water even while the prints are wet. Although water-based, the inks are not water-soluble and cannot be reactivated by water even while the prints are wet. It has a thick buttery consistency with minimal water content. Akua Intaglio ink cleans up easily with a dry rag followed by soap and water. Although water-based, the inks are not water-soluble and cannot be reactivated by water even while the prints are wet. I managed with some help from the Akua people to sort out most of its idiosyncrasies. If you use a pigment ink on a glossy paper without using a heat tool, it will not dry for a long time. This Akua Ink removes time constraints from the creative process since the inks will only dry once printed into the fibers of the paper. Akua Retarder is not suitable for use with Akua Intaglio. Akua Intaglio is a printmakers dream come true. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Akua Intaglio will not skin over in the jar or dry on the printmaking plate. Wipes nice and clean while the paper picks up the ink efficiently. Toxic Cobalt and Manganese dryers are not recommended , but can be used. It is slow drying and stays wet on the plate for a long period of time, giving you hours to create an image. Can be left uncovered in the jar without hardening or forming a skin. Akua Intaglio inks are soy-based and water-soluble. I am most pleased with how the Akua Intaglio ink stays active and workable for a very long time. It is necessary to spray and dry the plate twice to get the desirable effects shown above. Especially helpful in hot, dry or very cold climates. To prevent the ink from drying on the plate, add Retarder to Akua Pigments. As they contain no dryers, the ink drying time will be similar to oil based inks. 68, Akua Liquid Ink Phthalo I tried some Charbonnel inks a few years ago, after the lady in the Charbonnel shop here in Paris assured me that the etching ink would also do well for letterpress. Use with Akua Liquid Pigments only (not necessary with Akua Intaglio inks). The Akua ink is designed to stay open Ink will be stiffer when cold and looser when warm. Akua say they dry by absorption and perhaps I was using the wrong paper with them. Both clean up in water and soap or veg oil. Ideal for hot dry or very cold studio conditions. When cleaning up use a dry rag on all surfaces. Acrylic Pads; Origami Paper; Graffiti Urban Art Papers; Tracing Paper; Printmaking Akua Intaglio is a printmakers dream come true. (973) 669-0995 customerservice@jerrysartistoutlet. Once the print is dry, Akua-Intaglio is permanent. Departments. Akua Intaglio prints well on dry or damp paper. When trying Akua Intaglio for the first time, we recommend using it right out of the jar without modification. The ink felt like it was drying very fast in the heat and sun, so I printed at the end of two hours. To create wash effects and blends on monotype plates and paper, use Blending Medium. I tried setting the plate under a stack of books, but it wasn’t unwarping quickly enough. Composition & opacity: Blanc titane / Titanium white PW6 Akua Waterbased Intaglio Inks are easy to use water soluble etching inks, in a range of beautiful dense colours. Akua Intaglio is very soft ink. The following adjustments can be made to facilitate the inks’ drying time: Before Printing: Add Magnesium Carbonate (for Akua Intaglio Ink)--Mix 10% of Magnesium Carbonate into Akua Intaglio Ink. Professional printmaker, Suan Rostow, developed Akua Intaglio™ Inks to deliver brilliant colors and intense blacks. Don't know. I wasn't a fan of Akua either. Originally formulated for intaglio printmaking. Akua Oil Converter can be applied to a monotype to deepen the colors and get a "satin" effect. About Akua Intaglio there are 24 colors in 8 oz jars Water-based Ink for Intaglio & Relief. Option to Print on Damp or Dry Paper Summary of Maria's results: Wipe as much ink off with a dry rag as possible, followed by straight dish soap (no water) on a rag, followed by a damp rag to wipe up the dish soap residue, concluding with thorough drying/talc. Akua Intaglio Printing Inks have a soy based formulation for unmatched working properties. When cleaning up use a dry rag on all surfaces. Ideal for hot dry or very cold studio conditions. 88, Akua Liquid Ink Hansa Yellow 4oz – $35. This clear liquid retarder cleans up easily with water. Akua Retarder is used to further slow the drying rate of Akua Liquid Pigment and acts as a release. Oil-based inks work great because the drying time is slower but water based inks work as well! Ink knife Plexiglass (for inking) Newsprint or wax paper Paper towel, rags, or wet wipes Baren, large spoon or (Also used to thin Akua Intaglio ink. ink up on a glass slab with a putty knife. Unfortunately, with a Speedball waterbased, I can’t even pull 2 prints without it drying completely on the glass. Once you have worked the ink up to an even consistency push the flat edge of the knife into the ink and pull up on it. Easy to Use Wiping the plate with Akua Intaglio is easier than wiping oil-based ink. The reaction and textures were only revealed once i began to air dry the plate on high Akua Intaglio prints well on dry or damp paper. Originally formulated for intaglio printmaking, this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. Water based Inks for Linocut A: There can be a slight learning curve to find what paints work best and how much to use. 00 Sign In. 28, Akua Liquid Ink Jet Black 4oz – $31. Too much sizing in the paper under printmaking inks that require absorption to dry, like Akua, will slow your ink drying time considerably. But drying times are longer than water-based ink. They can be used for drypoint, etching, relief printmaking, monotype and collograph printmaking. nz Add Akua Oil Converter to the ink ; Heavy inked prints dry slowly. Akua Waterbased Intaglio Inks are easy to use water soluble etching inks, in a range of beautiful dense colours. They contain no driers, offering a long working time for monotype or wiping the plate. Clean, brilliant, li Once the print is dry, Akua-Intaglio is permanent. (973) 669-0995 customerservice@jerrysartistoutlet. Ink Colour: Akua Liquid Ink Burnt Sienna 4oz – $32. Not suitable for Akua Intaglio Inks. It is used to thin the ink for brushwork, wash effects or use as a resist for viscosity monotypes. Hi Helen, thank you for your question – Akua Intaglio inks are waterproof when dry. Fiona Humphrey: I didn't like their relief inks but it's been a while since I used them. Excellent Results Wipes nice and clean while the paper picks up the ink efficiently. They dry on contact with the paper through absorption into paper fibres, not on the plate which means they can be manipulated for a long time. Can be used with Akua Liquid Pigment and Akua Akua Liquid Pigment has a rich working consistency ideal for all monotype techniques. Ink wipes out from incised lines. If a greater open time is needed, simply add Akua Retarder to the ink. The ink will never skin or harden in the jar or on any non-absorbant surface, so no ink is ever wasted due to unwanted drying and working time is extended. Unique features of this ink set it apart from any other waterbased ink you have previously experienced. Drying time would be a big con of oil based ink. pdf=Akua_User_Guide. Ink will never skin or harden in the jar or on the ink slab, so no ink is ever wasted. I let the paper soak for nearly an hour and turned out a great looking print. It is definitely a matter of the air temp and humidity though - I've had things dry in a day, other things take a few days, and if it's really bad, about 5 days to a week. Akua ink has a rich, thick consistency with minimal dryer and cleans up easily with soap and water. I haven't had a three week drying issue. A stringy, taffy-like, “short/thick” ink will break quickly. Bone Black Akua Intaglio is a printmakers dream come true. Akua Intaglio does not contain toxic driers. Your Cart: 0 items $0. Each time I run a plate, I keep a journal to document my results for paper, inks and press settings Once the ink is dry, I seal the surface with acrylic matte medium. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink. Clean any remaining residue with warm soapy and a rag. See full list on nontoxic-printmaking. We are AKUA - and we create foods that are healthy for you and the planet too. My favorite watercolor papers use both internal and external sizing, but this can cause drying trouble with some printmaking inks. It dries through absorption into paper fibers. Clean any remaining residue with warm soapy and a rag. Use with Akua Kolor only. ) RETARDER Slows drying rate and acts as a release for Akua Liquid Pigment. I use Daniel Smith WB ink all the time. The main reason being that I only had 45 mins before I had to collect my son from school and I knew I wouldn’t have time to clean up the oil-based ink, whereas the water-based ink could be left in a bucket of soapy water. This delivers a range of meaningful benefits to printmakers. Akua Intaglio Inks only dry through absorption—they will not dry on the printing plate—and clean up easily with soap and water. Shop Akua Liquid Pigment, a slow-drying, non-toxic ink that’s perfect for monotype printing. Akua Intaglio Ink's endless open time, permanency, thick consistency, and easy clean up makes it a printmaker's dream come true! This line of water and soy-based ink contains absolutely no dryers, is packed with brilliant, lightfast pigments, and can be… Inks cannot be reactivated by water even while the prints are wet. SAMPLE 8: 12 Crag path Aldeburgh, perspex sheet, Akua intaglio ink. com 495 Prospect Ave, West Orange NJ 07052 During these past few weeks, I have been focused on color, ink mixing, and the contrast on paper color/size. Before mixing, work the Akua Oil with the ink knife until it is smooth. The high pigment load and wide selection of colors makes it great for tinting Akua Intaglio Ink, Akua Transparent Base, and other inks. The plate is now ready to be immersed in the etching bath. Many oil-based printmaking inks don’t re-wet after drying either, but they take much longer to dry, depending on the color (reds and white take up to a week to dry in some cases, depending on the humidity in your art-making space). It is permanent once dry, and cleans up easily with a rag followed by dish soap and water - you'll never need toxic solvents again! Akua is a soy based printmaking ink made with the high quality lightfast pigments. ca permission to It also retards from drying on the Monotype plate, extending working time. After plate has been etched remove ground by soaking in a bath of VCA. Prints well on dry or dampened papers. They are the only inks with endless open time – they will never skin over in the jar or dry on a plate allowing endless flexibility. Excellent Results Wipes nice and clean while the paper picks up the ink efficiently. It is a clear liquid. When applied in very thin layers, this ink works alright with linoleum. Inks can be used to the very last drop because they will not dry or skin in the jar and equipment is not ruined from rushed cleanup. 118ml Akau Intaglio Print Making Ink. Made from long-lasting and lint-free polyester fabric, it's smoother and softer than traditional tarlatan. I have quickly returned to traditional inks, as I found them too liquid. Clean any remaining residue with warm soapy water and a rag. This is a soy based ink with high-quality lightfast pigments and a thick consistency. Akua-Liquid Pigment rolls or brushes onto the plate beautifully. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up. After that, my plate became bowed and every print came out blurry. It applies and wipes off the plate much easier and quicker than oil-based inks. . Both should be post-processed by sufficient air curing for at least a week or longer until the ink is completely dry. Akua Intaglio Inks are soy-based, permanent inks for intaglio, relief, monotype, and collagraph techniques on plastic, linoleum, wood, or metal plates . Can be used with Akua Liquid Pigment and Akua This time I re-inked the plate using different colours (see below): I wanted to use a brighter flesh tone and more lively collar colour, as I didn’t have any interest coming from the background paper (plain white). It also retards Akua Kolor from drying on the monotype plate and therefore extends the working time. Akua Intaglio does not contain toxic driers. 88, Akua Liquid Ink Diarylide Yellow 4oz – $41. Because they are soy oil- based, you may find that watercolour will bead up on top of the dry ink. I am proud to say I can finally offer a collection of one type of card in multiple colors and sizes. Modified ink or newly mixed colors are best stored in old plastic containers—hummus or small cottage cheese containers work well. After the 5th color run, the ink has a hard time drying or absorbing into the paper. Dry the plate on a hotplate for 1or 2 minutes or dry with a hairdryer then apply an image with the etching needle. Clean any remaining residue with warm soapy water and a rag. Made in the USA. Akua Intaglio Ink 2 Oz Pyrrole Orange X36048: $10. (Mag Mix) 19AKUIIBB Akua Intaglio 8 oz. Use Blending Medium to get a "washed drawing effect". These inks dry through absorption into paper fibers, and once print is dry, ink is permanent. deltaart. Or with acetone (caution) Thoroughly degrease using cream cleanser applied with a soft sponge rinse, dry. We have switched over from solvent based inks to a combination of the Akua and Faust soybased (waterbased) inks. Originally formulated for intaglio printmaking, this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. Akua Intaglio Inks (thick)Professional printmaker, Susan Rostow, developed Akua Intaglio Inks to deliver brilliant colors, intense blacks and unmatched working properties. Pigment inks are used for embossing. Ideal for use when printing with Akua Liquid Pigment in very hot, cold or dry climates, or when printing on dry paper. 118ml The high pigment load and wide selection of colors makes it great for tinting Akua Intaglio Ink, Akua Transparent Base and other inks. Then add Akua Intaglio Ink Akua Intaglio Inks have Endless Open Time!This line of water and soy-based ink contains absolutely no dryers, is packed with brilliant, lightfast pigments, and can be effortlessly applied to plastic, wood, linoleum, or metal plate. Clean any remaining residue with warm soapy water and a rag. I am getting ready for the online class, SEE – draw – Print and making prints and discovering new things in the process. A few drops mixed into Akua Kolor helps transfer ink onto dry paper. Its rich working consistency is excellent for all monotype techniques. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink. Akua Intaglio is a soy based ink made with the same high quality lightfast pigments as Akua Liquid Pigment. Akua Intaglio Modifier 8 oz. Akua Colors take on Natural Pigments. I love it. BLENDING MEDIUM is used with both Akua Liquid Pigment and Intaglio Ink. Dry de prints in a well ventilated area. Akua ink required the most trouble-shooting, but once we had the system properly inked, it too produced rich results. Akua Intaglio inks are soy-based and water-soluble. They contain no driers, offering a long working time for monotype or wiping the plate. co. Very buttery and easy to wipe. Akua-Kolor is slow drying with a greasy consistency similar to oil-based ink. A long/thin ink will pull a 3-4 inches off the slab before the string of ink breaks. Cart: 0 Total: $0. Magnesium Carbonate or Akua Mag Mix; Akua Blending Medium; 3 small soft brayers and 3 palette knives; A telephone book; a supply of Q-Tips; a sheet of printmaking paper (I use Arches 88 and print on dry paper) A press or hand printing station- check out the short video. Less wiping pressure and time is required. They contain no driers, offering a long working time for monotype or wiping the plate. It has a thick buttery consistency with minimal water content. Susan Rostow gathered natural pigments for a comparison demo with the Akua Intaglio inks she developed. When the collatype was dry, I inked a plate with Payne’s grey Akua intaglio ink for my back drawing. Welcome, Guest | Login | Create an account. These exceptionally rich, non-toxic, water-based inks work great for all types of monotype techniques. The plates will need very little wiping with soft tarletan, about 1/3 the time a metal plate would take to wipe. Ideal for hot, dry or very cold studio conditions. 5 ///// Conclusion: The hot salt water alone reacted with the Akua ink in a way that is similar to solvents with oil based ink. top> Wiping the plate. Creating the plate is much faster than with linocuts, but you have much more control and can take your time in creating — different from when you print wax directly onto paper in encaustic monotypes. When the collatype was dry, I inked a plate with Payne’s grey Akua intaglio ink for my back drawing. In my demo I use the primary colors. You will need to plan your prints by taking into account how long your inks need to dry. She personally collected the pigments she was Akua does not dry with air contact, so even after a long day of printing, the remaining ink can be saved. It cleans up quickly with a dry rag or liquid dish detergent. Akua Liquid Pigment has a rich working consistency ideal for all monotype techniques. Prints well on dry or dampened papers. If your paints are drying too fast, you can try using a slightly heavier paint application. The unique slow-drying formula allows plenty of time to create an image on the plate. 24: ADD: Akua Intaglio Ink 2 Oz Quinacridone Magenta X36050: $10. It also retards Akua Kolor from drying on the monotype plate and therefore extends the working time. Add a couple of drops of acrylic retarder to slow the drying time. Avoid a humid environment; Give the print the time to dry. Inks cannot be reactivated by water even while the prints are wet. The Faust tend to dry a little better. A few drops in the ink are essential when printing on dry paper. They took ages to dry - months for multiple impression reduction prints that I did. However, if a stiffer consistency is desired, it is best to use Akua Oil Modifier. This honey and soy-based ink will print on dry Arches 88 paper so it is an ideal ink for teaching. Or with acetone (caution) Thoroughly degrease using cream cleanser applied with a soft sponge rinse, dry. It cleans up quickly with a dry rag or liquid dish detergent. Honorable Mention - Akua Intaglio *2020 Update: please see this blog post about a problem cropping up with Akua Intaglio Ink and lightweight paper. Created from the safest pigments possible, Akua inks do not contain hazardous pigments known to contain heavy metals (lead, cadmium, nickel or cobalt) or toxic driers. 68, Akua Liquid Ink Crimson Red 4oz – $41. Use Akua Intaglio Inks for printmaking techniques such as monotype, relief, collagraph, and intaglio. This creates an ink that can be cleaned up with soap and water. Less wiping pressure and time is required. Cleans up easily with water. It also retards Akua Kolor from drying on the monotype plate and therefore extends the working time. Akua Ink creator Susan Rostow did an interesting demo where she compared modern synthetically derived inks with the pigments they are designed to imitate. Can be left uncovered in the jar without hardening or forming a skin. Inking: Akua Mars Black, brayer to apply ink to plate Soaking time: N/A printed dry Press: 2 sizing catchers, takach press at 7. Originally formulated for intaglio printmaking, this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. Soy-based ink dries through absorption into paper, so it will not dry on equipment. Shop Speedball Akua Intaglio Ink 8oz at JOANN fabric and craft store online to stock up on the best supplies for your project. I live in a fairly dry area and depending on the paper I use and the air quality, my inks may take up to a week to dry. It is a clear liquid. Solar plates are cleaned with vegetable oil. Less wiping pressure and time is required. Great for allowing time to work with a printing project. Alternative to Solvents in Monotype: Test 9 AKUA > This Akua Ink removes time constraints from the creative process since the inks will only dry once printed into the fibers of the paper. Ink may be too loose (stiffen the ink with Akua Oil Converter) Print Retarder — Retarder serves two purposes: it acts as a release agent for printing on dry paper and retards the Akua Liquid Pigments from drying on the monotype plate, therefore extending the working time. The sizing blocks This Akua Ink removes time constraints from the creative process since the inks will only dry once printed into the fibers of the paper. Akua Intaglio is a printmaker's dream come true. This ink can also be applied with a brayer for relief printmaking, monotype and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. You want to use a tacky, sticky ink rather than a fluid ink. Originally formulated for intaglio printmaking, this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. Option To Print on Damp or Dry Paper Choose to print on dry or damp paper according to what may be best suited for your technique. When we dried the second spray, that was when all of the reaction took place. ! If cost isn't a factor for you, it's the logical ink to replace the inferior Speedball and Blick Block Printing Inks. The ink will not skin in jar or dry on your equipment, and wipes off etching plates cleanly, while plenty of ink remains in grooves. They can be used for drypoint, etching, relief printmaking, monotype and collograph printmaking. Since it dries by absorption it doesn't dry on the inking plate or brayer. Akua say they dry by absorption and perhaps I was using the wrong paper with them. This time the demonstrator table (and the demonstrator!) were in sun a good part of the time. Typically a light coat of ink applied to absorbent paper will take two hours to dry; heavy coats applied to hard surfaced paper may take as long as two weeks. Solar plates are cleaned with vegetable oil. Another method is to add 1/4 to 1/3 Daniel Smith relief ink to D. In my demo I use the primary colors. Less wiping pressure and time is required. It features a smooth, creamy consistency and only dries through absorption - it will not dry on the printmaking plate and is ideal for intaglio/etching, monotype, relief and collagraph printmaking. Papers & Pads. The amount of pigment to add and the viscosity are up to you. They will not dry on the printing plate. It is a clear liquid. When pressing drypoint with Akua ink, I recommend soaking your standard high quality printmaking paper about 45 minutes, if not an hour. When I switched from waterbased ink to Akua, I got the back of the plate wet scrubbing off the water based ink. Ideal for Intaglio/Etching, Monotype, Relief, Collagraph and Gel Printing and can be used with Akua Liquid Pigment and select Akua Modifiers. Although he used the same techniques, the entire process of wiping the plate and cleaning up Akua ink was done with less effort and time than with oil-based ink. Note: Akua Intaglio will temporarily thicken when Akua Kolor is added to it. Another good option is to add some retarder or acrylic glaze medium to your paint to slow down the drying time. Add Retarder to Liquid Pigment to extend the drying time and thus the processing time. On top, I like to use transparent acrylic paint in wash-like applications to the surface. Less wiping pressure and time is required. It dries by absorption into the paper and stays wet on your ink slab for days and days. As they contain no dryers the ink drying time will be similar to oil based inks. If you want to speed up the process of drying with pigment inks you can use a heat tool. They dry on contact with the paper through absorption into paper fibres, not on the plate which means they can be manipulated for a long time. This ink can also be applied with a brayer for relief printmaking, monotype and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. Fiona Humphrey: I didn't like their relief inks but it's been a while since I used them. Prints can be re-soaked immediately after printing, however To make a thicker transparent ink, add Liquid Pigment to Transparent Base. 54: ADD A few drops mixed into Akua Kolor helps transfer ink onto dry paper. Although water-based the inks are not water-soluble, and cannot be reactivated by water even while the prints are wet, as they contain no At least 3 different Akua intaglio inks. Dry the plate on a hotplate for 1or 2 minutes or dry with a hairdryer then apply an image with the etching needle. Posted on December 4, Akua Intaglio inks are soy-based and water-soluble. I found this new option appealing. intaglio ink. That’s referred to as internal and external sizing. Ideal for hot dry or very cold studio conditions. I love Caligo safe wash so not going back to Akua. Can be used with Akua Liquid Pigment and Akua Ink for monotype offers vibrant color. When cleaning up, use a dry rag on all surfaces. EXTENDER Makes Akua Liquid Pigment more transparent and reconstitutes air thickened ink. These types of inks have a high pigment load, so colors are bold even though monotype printing requires a thin layer of paint. Magnesium Carbonate or Akua Mag Mix; Akua Blending Medium; 3 small soft brayers and 3 palette knives; A telephone book; a supply of Q-Tips; a sheet of printmaking paper (I use Arches 88 and print on dry paper) A press or hand printing station- check out the short video. Cleans with water. Akua Liquid pigments are waterbased and are not waterproof, so applying watercolour on top will move the ink underneath. When cleaning up, use a dry rag on all surfaces. It is less tacky than Retarder, giving you a more fluid medium for blending colors and creating washes for additive monotype techniques. Ideal for Intaglio/ Etching. They took ages to dry - months for multiple impression reduction prints that I did. Retarder cleans up easily with water. Easy to Use - Wiping the plate with Akua Intaglio is easier than wiping oil-based ink. It stays wet on the plate for an extended period of time, allowing many hours to create an image. It stays wet on the plate for a very long time, allowing many hours to create an image. If done properly, cleaning up after working with Akua Intaglio is a breeze, leaving more time for creating prints in the studio or lazing on the beach. Lily Collins for L’Officiel Art Global Winter 2020 Issue. 00 A few drops mixed into Akua Kolor helps transfer ink onto dry paper. Posted on January 16, 2021 Written by. The plate is now ready to be immersed in the etching bath. Features the highest-quality pigments. Akua Kolor is so highly concentrated that a few drops added to the same Akua Intaglio color will enrich it. With one lino cut carving , I was able to create a minimum of three different cards and 1 print. Very buttery and easy to wipe. But drying times are longer than water-based ink. As they contain no dryers, the ink drying time will be similar to oil based inks. Don't know. I love Caligo safe wash so not going back to Akua. Also slows the drying rate of Akua-Kolor. Clean any remaining residue with warm soapy and a rag. This time I re-inked the plate using different colours (see below): I wanted to use a brighter flesh tone and more lively collar colour, as I didn’t have any interest coming from the background paper (plain white). Akua takes maybe 5-8 hours to be dry through and through in this climate of 15% humidity. Akua-Liquid Pigment prints on dry paper and cleans up easily with water. Print a layer of Akua Oil Converter on top of a finished monotype print to deepen colours and add a semi-gloss finish. It features a smooth, creamy consistency and only dries through absorption - it will not dry on the printmaking plate and is ideal for Intaglio/Etching, Monotype, Relief and Collagraph printmaking. And drying took a long time. pdf Akua User Guide. Once it is completely dry, the ink is not reversible. With no added fillers or driers. He especially likes the fact that Akua ink doesn't dry on the slab, which eliminated the need to clean up right away. Once the print is dry, Akua Intaglio is permanent. It will print well on dry or damp Akua-Kolor Blending Medium (originally called Thinner) For Blending colors. The ink will never skin or harden in the jar or on any non-absorbant surface, so no ink is ever wasted due to unwanted drying and working time is extended. Akua Intaglio prints well on dry or damp paper. 68, Akua Liquid Ink Burnt Umber 4oz – $32. It has a thick consistency with minimal water content. Sold as a 19" x 10 yard roll. [/FONT] [FONT=times new roman] [FONT=arial] Never add water directly into Akua Intaglio inks. Cleans with water. It stays wet on the plate for a very long time, allowing many hours to create an image. This Akua Ink removes time constraints from the creative process since the inks will only dry once printed into the fibers of the paper. 24: ADD: Akua Intaglio Ink 2 Oz Scarlet Red X36052: $10. Akua-Kolor stays wet on the plate for a long period of time, giving you hours to create an image. 41, Akua Liquid Ink Lamp Black 4oz – $31. All of our products like Kelp Jerky, Kelp Pasta, and Kelp Spices are made from ocean-farmed kelp, the most sustainable source of food on Earth. As they contain no dryers the ink drying time will be similiar to oil based inks. Akua Intaglio is a printmaker’s dream come true. It cleans up quickly with a dry rag or liquid dish detergent. Easy to Use. It features a smooth, creamy consistency and only dries through absorption - it will not dry on the printmaking plate and is ideal for Intaglio/Etching, Monotype, Relief and Collagraph printmaking. Although water-based the inks are not water-soluble, and cannot be reactivated by water even while the prints are wet, as they contain no At least 3 different Akua intaglio inks. It is a water based etching ink. Normally I will print between 10 and 15 colors runs on my prints. akua ink drying time